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When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered.,All these evidences of affection Violet notices in a dreamy, far-off fashion: she is the happier because of them; yet she only appreciates them languidly, being filled with one absorbing thought, that dulls all others. She accepts the chair, the compliment, and the tea with grace, but with somewhat vague gratitude.,"My son, you are very unhappy. I know why you have come this way. You are looking for your wife who is now in the ghost country. It is a very hard thing for you to get there. You may not be able to get your wife back, but I have great power and I will do for you all that I can. If you act as I advise, you may succeed.","Perhaps they make their own unhappiness," says Mona, at random. "But Nicholas has done nothing. He is good and gentle always. He knows no evil thoughts. He wishes ill to no man.","She is all your fancy could possibly paint her; she is lovely and divine. Don't try to analyze her charms, my dear Geoff. She is just the prettiest and sweetest woman I ever met. She is young, in the 'very May morn of delight,' yet there is nothing of that horrid shyness—that mauvaise honte—about her that, as a rule, belongs to the 'freshness of morning.' Her laugh is so sweet, so full of enjoyment.","'Bonnie Lesley:' the poet says of her what I think of you.",The whole of the long north gallery is flooded with its splendor. The oriel window at its farther end is lighted up, and from it can be seen a picture, living, real, that resembles fairy-land.,When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good.,"But why?" says Mona.,Here Geoffrey comes forward quietly, and lifts his hat to her with all the air of a man who is doing homage to a princess. It has occurred to him that perhaps this peerless being in the cotton gown will feel some natural chagrin on being discovered by one of the other sex with her sleeves tucked up. But in this instance his knowledge of human nature receives a severe shock.,All alone, and with a sad heart, Scarface climbed the bluff that overlooked the valley, and when he had reached the top, turned to look back at the camp. He wondered if he should ever see it again; if he should return to the girl and to the people.,"Yes, they are pretty, but insignificant," says the Æsthete, contemptuously. "Paltry children of the earth, not to be compared with the lenten or the tiger lily, or the fiercer beauty of the sunflower, or the hues of the unsurpassable thistle!".